Adams firmly establishes everything that’s going on in Arthur’s life.
Adams firmly establishes everything that’s going on in Arthur’s life.
Schultz does a very sharp job of putting it all together.
Fiffe is exploring the darker end of human emotion.
Sorressa and Atlansky manage a remarkably tight rendering of the script.
Orellana narrows the focus of the second issue to just and only the relationship between Sara and Max.
Craig manages just the right mount of dialogue.
Ashley Allen cleverly constructs a very sharp progression.
Foxe seems to have a solid handle on how it is that these things work.
Sarraseca has a good eye for layout.
Grønbekk moves through the darkness of dueling energies with a clever eye.
Wilson’s script is as witty as it is complicated.
MacKay has a few too many characters to juggle.
Remarkably visually intriguing as an execution of action.
Thompson does a very sharp job of keeping the action rolling.
Cassara’s art is tough as nails.
The art team doesn't brilliant job.
A refreshingly retro issue.
McFarlane paces the issue quite well.
Phillips is working on some interesting energies.
There are some very strong emotions being expressed.