Wilson’s writing style glitters brilliant in a lightly comic adventure.
All in Drama
Wilson’s writing style glitters brilliant in a lightly comic adventure.
Campbell's script draws on a lot of different elements and themes that have been explored in supergirl comics for decades.
Howard fits together with the different dynamics of each character in a way that makes them all very distinct.
Birks has done an admirable job.
Johns delivers a very believable alternative history.
Johnson firmly establishes the sense of action.
It's kind of an interesting dynamic for a heroic series.
Poke comes across as a deeply relatable character.
Wilson does a strikingly clever job with the foreshadowing.
The latest developments at the end of the 35th issue seem quite promising.
A quick fantasy/drama encounter between magic user and magic creature.
Grønbekk has created a clever, little fusion of Christmas Town and Halloween Town.
Aaron takes a dark fantasy concept and supercharges it.
Brisson does an admirable job in fusing the two different properties.
Powell’s script does a pretty good job of establishing the basic elements of the story.
Horror and comedy spill like poetry out of Priest’s dialogue
Fleecs takes the rulership of Lucky in to Macbeth Act 3 territory as things REALLY begin to unravel.
Priest’s plot begins to come into full view.
Shalvey and McConville construct a remarkably tight, little plot.
Shalvey takes the opportunity to reveal a few more mysteries.