Marquez delivers the intensity of a supernatural drama with some sharp shocks.
All in Drama
Marquez delivers the intensity of a supernatural drama with some sharp shocks.
The nuance of the romance feels particularly well-rendered by Ortega.
Wijngaard does some beautiful things with color.
Campbell has orchestrated a remarkably good plot structure.
Allen is working with a rich tapestry of different elements.
Schultz has done a rather brilliant job.
Williams manages a cleverly-balanced ensemble.
Diggle does find some clever craftsmanship in setting and dialogue.
Starrer finds real human drama in supernatural circumstances.
Phillips has a brilliantly crisp and distinctive sense of humor.
Leiz etches the passion into the page.
Walsh weaves the heavier horror of the story.
Buccellato is trying to do a bit too much.
Williams crafts a tight, little story.
There’s a real balance between the beautiful and the ugly.
Hill opens an intriguing murder/mystery story.
It’s a pretty dizzying fusion.
Landini is at his best when he’s allowed to focus-in on the family drama.
Remender has a solid sense of cleverness.
Cannon is fairly brilliant with his execution of the tension.