Phillips has a brilliantly crisp and distinctive sense of humor.
All in Drama
Phillips has a brilliantly crisp and distinctive sense of humor.
Leiz etches the passion into the page.
Walsh weaves the heavier horror of the story.
Buccellato is trying to do a bit too much.
Williams crafts a tight, little story.
There’s a real balance between the beautiful and the ugly.
Hill opens an intriguing murder/mystery story.
It’s a pretty dizzying fusion.
Landini is at his best when he’s allowed to focus-in on the family drama.
Remender has a solid sense of cleverness.
Cannon is fairly brilliant with his execution of the tension.
Condon brings a sharp and clever pacing to the opening issue.
Johns narrowly misses a steaming pile of cliche.
Fleecs shifts deftly along the edge of plausibility.
Candonici beautifully renders the shifting emotional life of a disaffected high school girl.
And it’s not nearly as cool as it sounds.
So brilliantly delivered to the page with a scalpel's precision.
Thompson expands the mythology of the Absolute with a high-gravity adventure.
King plays with a few different elements in a deeply enjoyable standalone story.
Wong has been doing a very good job to this point.