Camp finds a clever way of working with the existential first principles of a life on the comics page.
All in Drama
Camp finds a clever way of working with the existential first principles of a life on the comics page.
Young’s dark, little tail of whimsy is entertaining enough to keep the pages turning.
The Power Fantasy is incredibly dense stuff. I
Bellaire does a remarkable job of granting exactly the kind of mood.
Johns takes traditional, superhero tropes and presents them in a completely new light.
There’s real insight in what Brombal is writing.
The Laphams weave a very tight suspense thriller.
Silvestri is laying in a tremendous amount story around the edges of everything.
Kennedy constructs an intriguing mood.
Williamson adds a complexity beyond the surface level of a franchise that’s been around for decades.
The gun that's decided to become a pacifist is remarkably clever stuff.
Sniegoski works his way through a narrative that fits together from a few different directions.
Pepose deliver is a space fantasy story that's deeply rooted in a respect for weird science.
Fred Van Lente mixes quite a few different elements into a big, climactic chapter
Johns’ script is a strange and perplexing collage.
Sitterson is working with concepts that have a very high face value.
Van Lente’s script works on a few different levels.
Ahmed has a really sharp approach.
Priest has fun with some casual conversation between vampires.