King has been playing a bit of a chess match.
All in Drama
King has been playing a bit of a chess match.
Though it carries moments quite well, the overall space opera feels pretty bland.
Re balances the cramped conditions of the sub against the big intensity of the drama.
Frampton doesn’t bog-down the issue in too much dialogue or narration.
Waid continues to fully flesh-out the Justice Lague Unlimited idea.
Hama sets-up a really sharp single-unit infiltration.
Morozova has a very firm approach to the action.
Thompson has a unique and sparklingly witty energy.
Vecchio’s art engages in some interesting dramatic renderings.
There’s a delicate balance.
Ayala is using some very clever narrative techniques.
Williamson is able to show a true darkness in the villains.
McFarlane is telling a pretty simple supernatural drama.
Slow and soulful thoughts … mix in with over the top combat brutality.
Schultz is doing a really good job of rendering her own little corner of everything.
Loveridge has a lot going on.
The finer points of what is going on here are kind of lost.
Cafaro delivers a very moody sort of action to the page.
Adams firmly establishes everything that’s going on in Arthur’s life.
Schultz does a very sharp job of putting it all together.