Superman’s Pal Jimmy Olsen remains DC’s funniest title with issue #7.
All by Jason A. Fleece
He-Man and the Masters of the Multiverse #3 // Review
He-Man and the Masters of the Multiverse #3 fails to reach the pulpy heights of the first two issues.
Legion of Super-Heroes #3 // Review
Legion of Super-Heroes #3 has gorgeous art, but it’s so jam-packed with plot that it becomes hard to follow.
The Question: The Deaths of Vic Sage #2 // Review
The Question: The Deaths of Vic Sage #2 is a hidden gem.
Hellmouth #4 // Review
Hellmouth #4 just slouches along with weak writing.
Second Coming #6 // Review
Second Coming #6 leaves the story unsettlingly up in the air.
Gotham City Monsters #5 // Review
DC editorial should have known better than to publish Gotham City Monsters #5.
Dying is Easy #2 // Review
Dying is Easy #2 is a successful gamble for IDW Comics.
Buffy the Vampire Slayer #11 // Review
Once again, Buffy the Vampire Slayer continues to be an MVP title for Boom! Studios.
Lois Lane #7 // Review
Overall, Lois Lane #7 is a strong entry in a strong series.
Dial H for HERO #10 // Review
Even a lesser issue of Dial H for HERO, as #10 is, is still delightfully ridiculous.
Hawkeye: Freefall #1 // Review
Hawkeye: Freefall #1 is a strong first issue, showing promise for a compelling superhero arc.
Miles Morales: Spider-Man #14 // Review
Miles Morales: Spider-Man #14 is a mushy mess.
The Low, Low Woods #1 // Review
The Low, Low Woods #1 is another moody debut from DC’s Hill House imprint.
Suicide Squad #1 // Review
Suicide Squad #1 is an explosive debut from Tom Taylor and Bruno Redondo.
John Constantine: Hellblazer #2 // Review
The second issue of John Constantine: Hellblazer is a success.
Batman: Last Knight on Earth #3 // Review
Batman: Last Knight on Earth ends on a confusing note.
Basketful of Heads #3 // Review
Basketful of Heads #3 is another solid entry in what is turning out to be the best of DC’s Hill House horror comics line.
Harleen #3 // Review
Harleen #3 is a fascinating finale to an excellent character study.
Batman/Superman #5 // Review
Batman/Superman #5 feels like an editorially-mandated part of the endless crossover machine.