Soule’s dual-layered story continues to do interesting things.
All in Horror
Soule’s dual-layered story continues to do interesting things.
The horror keeps getting more and more heavy.
Tomasi elegantly slams everything together on the edge of the current storyline.
Zchut he's working with a great deal of metaphor.
Cannon’s scripting leaves a lot of delicious ambiguity around the edges.
Llovett ratchets-up the tension.
Tynion and Pichetshote have been relatively precise about how they’re allowing the game to unravel.
Tynion’s story jumps across the first quarter of the 21st century.
The Glowing Woman is a much more powerful statement about survival than anything that Johns came-up with for the title character.
Given the right narrative momentum The Darkness could really turn into something interesting.
Camp’s absurdist/surrealist horror story is insanely clever.
It’s not a comic book so much as it is a really, really illustrated horror story.
Goette delivers the action with a sharp sense of perspective and balance.
James Tynion is working through a crucial period.
Fleecs continues a pretty brutal look at the lives of domestic pets.
Snejgjerg has a sharp and sensitive execution.
Tynion frames the central conflict of the film as the series draws to a chlling close.
Tieri’s script almost seems to be trying to march the fun onto the page at gunpoint.
Abstract and intellectual emotional drama.
Condon makes one last stand with the series.