The genius of Hyde Street is that it tends to focus on the victims.
All in Horror
The genius of Hyde Street is that it tends to focus on the victims.
Brisson’s story has an admirable simplicity.
Thompson has a unique and sparklingly witty energy.
Vecchio’s art engages in some interesting dramatic renderings.
There’s a delicate balance.
McFarlane is telling a pretty simple supernatural drama.
Cafaro delivers a very moody sort of action to the page.
Ashley Allen cleverly constructs a very sharp progression.
Sarraseca has a good eye for layout.
Wilson’s script is as witty as it is complicated.
McFarlane paces the issue quite well.
There are some very strong emotions being expressed.
Andreyko could have gone for a much more sophisticated in a dramatic sense.
Tieri has a clever mash-up with a vamp Santa.
Schultz’s mix of horror/fantasy and cyberpunk flavors reaches a particularly clever point.
Simple and clean presentation of a couple of well-realized horror concepts.
Kelly Thompson does a brilliant job of channelling an amazingly cool and deeply inspiring hero.
Reynolds’ vision of the old west is very gritty.
Williams keeps it sharp for his tale of Terry and the dummy.
Bennet mixes the supernatural with the criminal.