Darcy Van Poelgeest lets loose on the restless energy.
All in Horror
Darcy Van Poelgeest lets loose on the restless energy.
Andreyko fuses the narration of the issue with some degree of humor.
The art team does a good job of harnessing the horror.
It's a fun, little action sequence.
Todd McFarlane tries his best to tell a story.
It’s not that difficult to push weight-loss narratives in the right direction and watch them go.
There’s a lot of backstory that’s delivered.
Thompson has taken the basic legend of Wonder Woman and moved it into a spectacularly mystic darkness.
Walsh cleverly constructs the concerns of the heart.
Cox has been slowly making a statement about humanity.
It all fuses together on the page.
Pirzada’s script juggles quite a few characters.
Andreyko certainly makes the title character an appealing monster.
Benitez and Chen manage a pretty tight chapter.
Wagner moves the story along quite steadily.
Van Poelgeest frames every scene in the issue like it's an inexplicably, beautiful, little narrative poem.
Johns works a fun premise.
McFarlane has a couple of fun ideas in the issue.
McConville populates the issue largely with dramatic scenes.
Tyrion’s dialogue continues to feel very natural.