Campbell’s writing paints big emotions in broad strokes.
All in DC Comics
Campbell’s writing paints big emotions in broad strokes.
Jones’ approach to the childishness is to simply have fun with it.
It’s not a comic book so much as it is a really, really illustrated horror story.
Overall pacing in composition of the script feel almost perfect.
Given enough time this could be a lot of fun.
Grønbekk has a subtle and nuanced approach.
Rucka does a respectable job of outlining the situation.
Thompson has been a staggeringly clever architect for Diana of the Wild Isle.
Waid manages to piece together a remarkably fun. little story idea from the margins of the multiverse.
There’s a great degree of thematic strength in what King is building.
Cagle does a pretty good job of making it all explode off the page with the right intensity.
Ahmed continues to explore a relief, fun concept.
Waid and Russell deliver some well-executed interpersonal comedy
Guest artist Kampe is given the opportunity to render the nightmare world of Kara.
There are going to be NCAA-style brackets and everything.
Conner and Palmiotti amp-up the intensity of a silliness.
Sampere’s clean-line approach to the visuals continues to find its own sense of charm.
Kalan launches Harley into a whole new adventure.
Gronbekk and company working around the edges of the Batman end of the DC universe.
King manages some really clever bits of characterization.