Campbell's script draws on a lot of different elements and themes that have been explored in supergirl comics for decades.
All in DC Comics
Campbell's script draws on a lot of different elements and themes that have been explored in supergirl comics for decades.
Snyder’s concept has been very silly from the beginning.
Howard fits together with the different dynamics of each character in a way that makes them all very distinct.
Wilson does a strikingly clever job with the foreshadowing.
Adams doesn't have a whole lot of time to set up any of the conflicts that he's working with.
Palmiotti and Conner find a pretty solidly entertaining tone.
Wilson manages some very sophisticated characterization
Guerrero’s colors add warmth, depth and visual texture.
Brombal is working a lot with narratives that exist beyond the presence of the present.
Conner and Palmiotti Roll through a pretty fun comedy story.
Campbell’s writing paints big emotions in broad strokes.
Jones’ approach to the childishness is to simply have fun with it.
It’s not a comic book so much as it is a really, really illustrated horror story.
Overall pacing in composition of the script feel almost perfect.
Given enough time this could be a lot of fun.
Grønbekk has a subtle and nuanced approach.
Rucka does a respectable job of outlining the situation.
Thompson has been a staggeringly clever architect for Diana of the Wild Isle.
Waid manages to piece together a remarkably fun. little story idea from the margins of the multiverse.
There’s a great degree of thematic strength in what King is building.