The constant peril is another clever stylistic Thompson addition to Diana’s narrative rendering.
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The constant peril is another clever stylistic Thompson addition to Diana’s narrative rendering.
Williams juggles quite a lot around the edges.
Campbell’s visuals are fabulous.
Sampere gives Diana that kind of stature that befits a legend.
Miyazawa manages a striking array of different subtleties.
Action. Drama. Comedy. Everything fits so cleverly between two covers in the latest issue.
There's a brilliant sense of balance that almost seems crushingly beautiful.
King has been playing a bit of a chess match.
Waid continues to fully flesh-out the Justice Lague Unlimited idea.
Thompson has a unique and sparklingly witty energy.
Adams firmly establishes everything that’s going on in Arthur’s life.
Wilson’s script is as witty as it is complicated.
Remarkably visually intriguing as an execution of action.
Kelly Thompson does a brilliant job of channelling an amazingly cool and deeply inspiring hero.
Waid keeps a firm sense of the absurd running the story.
Segura mixes traditional detective mystery with something more.
Under the power of King’s writing, it’s a perfect fit.
It’s one, long interrogation.
Adams handles one of the oldest tropes in science fiction.
King does a brilliant job of characterization with a very diverse group of heroes.