Young’s dark, little tail of whimsy is entertaining enough to keep the pages turning.
All in Female Lead
Young’s dark, little tail of whimsy is entertaining enough to keep the pages turning.
Sniegoski works his way through a narrative that fits together from a few different directions.
Priest has fun with some casual conversation between vampires.
Wilson manages some very sophisticated characterization
Brombal is working a lot with narratives that exist beyond the presence of the present.
Phillips weves a script with wit that atches the action.
Chang frames cosmic-level Marvel magic with some powerful layout and composition.
Sara Frazetta crafts, some genuine poetry in the epic fantasy story.
Ganucheau finds an incredible amount of novelty in a story that would otherwise be very, very traditional.
Zchut he's working with a great deal of metaphor.
Llovett ratchets-up the tension.
Conner and Palmiotti Roll through a pretty fun comedy story.
Craig manages to carve a lot of intricacy into a simple fantasy story of a pre-modern army preparing for war.
Remender does a clever job of illustrating the problems with violent revolution.
Fantasy heroes don't often have to deal with that sort of thing: a head cold.
Sniegoski weaves the story quite well.
Campbell’s writing paints big emotions in broad strokes.
The Glowing Woman is a much more powerful statement about survival than anything that Johns came-up with for the title character.
Jones’ approach to the childishness is to simply have fun with it.
Phillips manages a very tight ensemble of characters.