Camp finds a clever way of working with the existential first principles of a life on the comics page.
All in Image Comics
Camp finds a clever way of working with the existential first principles of a life on the comics page.
Young’s dark, little tail of whimsy is entertaining enough to keep the pages turning.
The Power Fantasy is incredibly dense stuff. I
Bellaire does a remarkable job of granting exactly the kind of mood.
There’s real insight in what Brombal is writing.
The Laphams weave a very tight suspense thriller.
Silvestri is laying in a tremendous amount story around the edges of everything.
Kennedy constructs an intriguing mood.
Kirkman gives the old property a little bit more darkness.
A very solid and respectably, enjoyable encounter in orbit.
Johns’ script is a strange and perplexing collage.
Sitterson is working with concepts that have a very high face value.
Warrren and co-creator Rick Remender have done an admirable job.
Higgins, Clark and company continue to find something new in old superhero tropes once more.
Soule’s dual-layered story continues to do interesting things.
The horror keeps getting more and more heavy.
The interpersonal drama provides a solid foundation for the hero’s mission.
Physics don’t work like that. Neither does human anatomy,
Tomasi elegantly slams everything together on the edge of the current storyline.