Ahmed has a really sharp approach.
Ahmed has a really sharp approach.
Priest has fun with some casual conversation between vampires.
Stokoe has the tone and form of a Twilight Zone story perfect down to the last syllable.
Brisson throws more than a few curves into the final chapter.
Grønbekk matches the style and tone of Burton’s original script.
Wilson manages some very sophisticated characterization
Guerrero’s colors add warmth, depth and visual texture.
Palmiotti plays with a strange intersection.
Brombal is working a lot with narratives that exist beyond the presence of the present.
Phillips weves a script with wit that atches the action.
Campbell’s colors lend a beautiful radiance to action and drama alike.
Hannigan frames the action with considerable attention to detail.
Chang frames cosmic-level Marvel magic with some powerful layout and composition.
Camp has a tremendous amount of work to do.
Warrren and co-creator Rick Remender have done an admirable job.
Higgins, Clark and company continue to find something new in old superhero tropes once more.
Soule’s dual-layered story continues to do interesting things.
Pires layers-in the action through a fusion of science fiction and fantasy.
The horror keeps getting more and more heavy.
The interpersonal drama provides a solid foundation for the hero’s mission.