There’s a real balance between the beautiful and the ugly.
All in Crime
There’s a real balance between the beautiful and the ugly.
Hill opens an intriguing murder/mystery story.
Fleecs rather quickly launches Ben into a very street bound adventure.
It’s been a fun exploration with Grønbekk so far.
Bennett is juggling many different elements of Sara's life.
Lieberman comes dangerously close to completely fragmenting the plot.
Cho really focusses the narrative tightly on the life, mental and emotional state of Dani.
Segura and Barajas weave the two narratives together quite well.
Miyazawa manages a striking array of different subtleties.
Brisson is doing some rather clever things.
Loveridge has a lot going on.
Sorressa and Atlansky manage a remarkably tight rendering of the script.
Barel and McFarlane manage to keep the drama running.
Bengal’s sharp sense of atmosphere gives the entire issue quite a bit of gravity.
That’s remarkably sharp prose.
There’s an encrypted otherworldliness about the experience.
McFarlane almost has the heart of a really good story.
Tyrion’s dialogue continues to feel very natural.
Bennett is really setting the stage for something massive.
Duggan delivers a witty, admirable thug to the page with charm