Brusha doesn’t find a particularly novel approach to the resolution, but it’s still a fun one to explore.
All in Horror
Brusha doesn’t find a particularly novel approach to the resolution, but it’s still a fun one to explore.
There’s a deep respect for the common house cat that seems to resonate off the page.
A brilliantly expressive story.
A particularly nice embrace of a new season.
It’s a fun one-shot adventure.
Wilson’s satirical wit slices through wealthy southern California health culture.
Silvestri’s work makes good use of one of the more iconic cities in the DC Universe.
Tynion is simply presenting the story of Betty and Barney Hill.
On the surface, there REALLY isn’t much to the story.
MacKay crosses the midway point of the series with style and poise.
It’s all very familiar.
Fawkes has some good ideas.
It’s never anything other than stylish.
MacKay has a delicious rhythm worked out.
Brusha brings a lot to the page.
Prenzy has an impressive mastery of kinetic action on the page.
The heaviness of the imagery tends to pummel any of the horror off the page.
So much of what Tynion is doing rests between the moments of the story.
A deliciously clever approach.
As the vampires fight over Laura, Raymond and his human captor make their way closer.