It’s never anything other than stylish.
All in Horror
It’s never anything other than stylish.
MacKay has a delicious rhythm worked out.
Brusha brings a lot to the page.
Prenzy has an impressive mastery of kinetic action on the page.
The heaviness of the imagery tends to pummel any of the horror off the page.
So much of what Tynion is doing rests between the moments of the story.
A deliciously clever approach.
As the vampires fight over Laura, Raymond and his human captor make their way closer.
A story from Val’s past sheds light on her future.
There’s a compelling contrast between the wild-eyed Noah and the regal power of Theon.
Wilbur isn’t having a good time with Big Business and starts a sequence of events that builds a new family.
The game of cat and mouse continues as Bats, Billy, and Vickie try to find the human girl.
There is much that is gruesome and appealing on the page.
Stoll’s art features some remarkably crisp line work.
Brown frames the script for the third chapter from clever angles.
The second issue leaves a lot of mystery in the margins.
Zornow’s rubbery werewolf has a wonderful expressiveness.
Wilson’s dive into the psyche of Ivy gets considerably deeper and darker.
it’s still really, really cool to see horror anthology comics continuing into the present.
Brown gives Gem’s particular shade of tortured hero some originality.