A story from Val’s past sheds light on her future.
All in Horror
A story from Val’s past sheds light on her future.
There’s a compelling contrast between the wild-eyed Noah and the regal power of Theon.
Wilbur isn’t having a good time with Big Business and starts a sequence of events that builds a new family.
The game of cat and mouse continues as Bats, Billy, and Vickie try to find the human girl.
There is much that is gruesome and appealing on the page.
Stoll’s art features some remarkably crisp line work.
Brown frames the script for the third chapter from clever angles.
The second issue leaves a lot of mystery in the margins.
Zornow’s rubbery werewolf has a wonderful expressiveness.
Wilson’s dive into the psyche of Ivy gets considerably deeper and darker.
it’s still really, really cool to see horror anthology comics continuing into the present.
Brown gives Gem’s particular shade of tortured hero some originality.
There’s real potential in a hero like Domino.
In the Underworld, all of the pieces come together for one final battle.
A pleasantly strange twist.
It’s kind of fun
Feels just a little rushed.
Things DO get impressively deep.
When the jokes don’t feel flat, they end up feeling dated.
Joan’s emotional complexity has come quite a long way.