The late 1960s play out without much of a central gravity.
All in Horror
The late 1960s play out without much of a central gravity.
Dan Watters dives into stranger, darker territory.
The overall rhythm and shadow of the story feel like a classic story out of EC's Tales from the Crypt.
Forrest and Orson close in on the mystery of the Ghoul.
Watters and Wijngaard manage to hold everything together.
A prison of nine-panel pages inhabited by so much ink and darkness.
Lam and the Glories face the truth of their mission.
Tynion and Romero gently play with the horror of paranoia.
Things go from bad to worse.
Joey's problems come to a head.
A simple tale told well with occasionally stylish art.
A bit too busy to make a single, powerful statement
Tynion’s writing feels much more fluid.
The plot thickens as the truth starts to get revealed.
Things come to a head for Joey and Astor.
Wonder Woman’s quest with the sword finds her teaming up with Deadman again.
Another thoroughly entertaining combination of drama, comedy, and comedic graphics.
Williamson solidly avoids cheesy horror cliches.
Joey learns even more about what she got herself into.
A great deal of fun.