Fiffe is exploring the darker end of human emotion.
All in Drama
Fiffe is exploring the darker end of human emotion.
Sorressa and Atlansky manage a remarkably tight rendering of the script.
Orellana narrows the focus of the second issue to just and only the relationship between Sara and Max.
Ashley Allen cleverly constructs a very sharp progression.
Foxe seems to have a solid handle on how it is that these things work.
Sarraseca has a good eye for layout.
Grønbekk moves through the darkness of dueling energies with a clever eye.
Wilson’s script is as witty as it is complicated.
Remarkably visually intriguing as an execution of action.
Thompson does a very sharp job of keeping the action rolling.
Cassara’s art is tough as nails.
The art team doesn't brilliant job.
A refreshingly retro issue.
McFarlane paces the issue quite well.
Phillips is working on some interesting energies.
There are some very strong emotions being expressed.
Andreyko could have gone for a much more sophisticated in a dramatic sense.
Barel and McFarlane manage to keep the drama running.
Schultz’s mix of horror/fantasy and cyberpunk flavors reaches a particularly clever point.
Tomasi is working with some fairly simple concepts.