Bertram’s art builds a richly textured background.
All in Drama
Bertram’s art builds a richly textured background.
Johnson is working with a very large extended ensemble.
There really IS a kind of weighty reality that Priest is bringing to the page.
Some journeys don’t require words.
Higgins and Siegel lower in a hell of a lot of background.
A fun skewing of some traditional superhero tropes.
McFarlane is working with a dozen different cliches.
Wijngaard’s work is brilliantly muted. Gillen’s script is cleverly concise.
Tynion is working with tropes that have been used pretty extensively before.
Adams handles one of the oldest tropes in science fiction.
Tynion is once again channeling Alan Moore’s work on Brought to Light.
Weisman is working with quite a few things.
A simplified look at the drama of the contemporary comic book industry.
So...Rick and Brian are going out to the mall.
Kennedy clearly has a deep respect for his artist’s ability.
McFarlane finds a lot of disjointed moments.
A very real sense of earthbound drama.
It’s not terribly deep.
Takeda’s execution of the drama is very cleverly crafted.
It’s sci-fi action with animals and Fabok is handling admirably.