McFarlane is working with a dozen different cliches.
All in Drama
McFarlane is working with a dozen different cliches.
Wijngaard’s work is brilliantly muted. Gillen’s script is cleverly concise.
Tynion is working with tropes that have been used pretty extensively before.
Adams handles one of the oldest tropes in science fiction.
Tynion is once again channeling Alan Moore’s work on Brought to Light.
Weisman is working with quite a few things.
A simplified look at the drama of the contemporary comic book industry.
So...Rick and Brian are going out to the mall.
Kennedy clearly has a deep respect for his artist’s ability.
McFarlane finds a lot of disjointed moments.
A very real sense of earthbound drama.
It’s not terribly deep.
Takeda’s execution of the drama is very cleverly crafted.
It’s sci-fi action with animals and Fabok is handling admirably.
Might be one of the single best things Remender has written in the past few years.
Gündüz frames some really striking imagery.
Delivers some cleverly dark political-cultural satire.
Ultimately it comes together, but it’s a bit of a disappointment.
Remender a mixes contemporary social satire with a very sharp sort of a family drama.
It’s been fun so far.