Johnson completes an outline of the basic premise of the series with some degree of grace and precision.
All tagged Riley Rossmo
Johnson completes an outline of the basic premise of the series with some degree of grace and precision.
There’s the kernel of a sharp idea here.
A particularly nice embrace of a new season.
Not all of the writing is brilliant, but it would be a very exhausting 100 pages if it WAS.
Harley Quinn #14 is a mixed bag; the story is solid… However, the disconnect between the art and story, and the stop-and-start pacing drag down what could've been a standout issue.
This issue is a stellar entry in a run that keeps getting better.
Harley has undergone a lot of growth as a character, and that’s especially visible in the aftermath of Ivy’s leaving. Harley Quinn #11 is a great start to the next arc of Harley’s story.
As a Harley story, it’s solid, but it’s nothing special.
At this rate, this Harley Quinn series is rapidly becoming my favorite run for the character.
Harley fears her coming back to Gotham was a mistake. She wants to make amends, not hurt even more people.
Harley Quinn #3 feels like a violent Saturday morning cartoon in the best way possible.
So it is that a certain clown girl ends the run of her current series.
A massive issue which features a major turning point for the hero and a host of supporting stories.
Orlando and Rossmo hit a surprisingly deep issue.
The messy grittiness of a police assault on a rural human trafficking outpost feels weird and stringy.
Riley Rossmo's curvy melted-cheese-topping art feels relatively breathtaking on the unique alien landscape of Mars.
Plascencia’s artwork hold the emotionality of the story at a contorted distance.
A mix of weird fiction that still manages to find the gravity of serious drama.
It’s a familiar story told in a unique voice by Orlando and Rossmo.