Fleecs takes the rulership of Lucky in to Macbeth Act 3 territory as things REALLY begin to unravel.
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Fleecs takes the rulership of Lucky in to Macbeth Act 3 territory as things REALLY begin to unravel.
Priest’s plot begins to come into full view.
Jordan outlines a particularly clever idea.
The Power Fantasy is incredibly dense stuff. I
There’s real insight in what Brombal is writing.
The gun that's decided to become a pacifist is remarkably clever stuff.
Van Lente’s script works on a few different levels.
Ahmed has a really sharp approach.
Stokoe has the tone and form of a Twilight Zone story perfect down to the last syllable.
Sara Frazetta crafts, some genuine poetry in the epic fantasy story.
Ganucheau finds an incredible amount of novelty in a story that would otherwise be very, very traditional.
Panosian delivers a story with some very clever, twists and turns.
Cannon’s scripting leaves a lot of delicious ambiguity around the edges.
Remender does a clever job of illustrating the problems with violent revolution.
Gillen has a somewhat breathtaking talent for lovingly cramming a tremendous amount of story into tiny, little encounters.
Shalvey and McConville set up a very simple premise that is very easy to follow.
The Glowing Woman is a much more powerful statement about survival than anything that Johns came-up with for the title character.
Jones’ approach to the childishness is to simply have fun with it.
Camp’s absurdist/surrealist horror story is insanely clever.
Goette delivers the action with a sharp sense of perspective and balance.