Riley Rossmo's curvy melted-cheese-topping art feels relatively breathtaking on the unique alien landscape of Mars.
All in Sci Fi
Riley Rossmo's curvy melted-cheese-topping art feels relatively breathtaking on the unique alien landscape of Mars.
While no one asked for a new adaptation, the resulting work is pretty good.
The story takes a bit of a breather to allow the action to explode.
Firefly #7 is a solid, if unremarkable, entry in Boom! Studios’ management of the license, and dividing the characters up continues to be a good way to overcome the larger weaknesses of the series as a whole.
The overall composition of the issue is enjoyable.
A fun issue that sets-up a substantial show-down for next issue.
A near-perfect issue of The Immortal Hulk that will leave your mouth agape in horror.
The final issue of Meet the Skrulls is a satisfying conclusion, as the remaining members of the Warner family reclaim their identities.
Mankind has colonized the galaxy, but during our interstellar travels, we discovered a terrifying secret out in the Outer Darkness of space.
Mila learns more about her father.
The one monster who never dies — who returns, again and again, to hate and destroy.
A slightly disappointing seventh issue with lush moodiness.
Plascencia’s artwork hold the emotionality of the story at a contorted distance.
Numerous opportunities seem to be avoided in favor of something far too traditional to be terribly original.
Die Hard, with a Gray Hulk
In a world ruled by a tyrant, the headsman’s blade is the most coveted item.