Walsh cleverly constructs the concerns of the heart.
All in Horror
Walsh cleverly constructs the concerns of the heart.
Cox has been slowly making a statement about humanity.
It all fuses together on the page.
Pirzada’s script juggles quite a few characters.
Andreyko certainly makes the title character an appealing monster.
Benitez and Chen manage a pretty tight chapter.
Wagner moves the story along quite steadily.
Van Poelgeest frames every scene in the issue like it's an inexplicably, beautiful, little narrative poem.
Johns works a fun premise.
McFarlane has a couple of fun ideas in the issue.
McConville populates the issue largely with dramatic scenes.
Tyrion’s dialogue continues to feel very natural.
There’s a lot of exposition delivered in the text.
Zdarski moves a remarkably tight narrative through only a few pages.
Wagner is moving the narrative around the edges of detail.
Walsh deftly extends the study of the intellectual side.
Schultz clearly has a long-range plan for the pacing of the series.
Young is closing-out the equation in the final issue.
So much of what Tynion is doing is so very, very simple.
A pretty cool idea that McFarlane totally fails to live-up to.