McManus’ execution of the art in that second story is pretty impressive.
All in Drama
McManus’ execution of the art in that second story is pretty impressive.
Thompson has a knack for catching a series of scenes and putting them together.
Arcudi has been fusing several different things together with this particular narrative.
That’s remarkably sharp prose.
Tynion twists a fiction around one of the most legendary deaths of the 20th century.
Carlos has a solid sense of execution with respect to light and shadow.
The full reveal of Loughridge’s premise IS kind of a disappointment.
Gillen explores a fascinating and provocative angle on the god-as-artist concept.
It’s nice to see the reptilian getting a bit of the spotlight as the series continues.
Williamson manages a very tight combination of familiar and unfamiliar elements.
Darcy Van Poelgeest lets loose on the restless energy.
Johnson's rendering continues to be very appealing.
Shalvey doesn’t move that far beyond a traditional Vietnam narrative.
Daniel Warren Johnson is cleverly playing with the pieces that he's been given.
The art team does a good job of harnessing the horror.
It's a fun, little action sequence.
Kubert’s adventure shoots quite swiftly along.
Remender hits the page with one of the more brutal entries into the series.
Young walks the fine line between comedy and drama.
Kaplan maintains the overall tone.