There’s a lot of exposition delivered in the text.
All in Drama
There’s a lot of exposition delivered in the text.
The world-building happens around the edges of the action.
Finley’s art has a stark brutality about it.
Zdarski moves a remarkably tight narrative through only a few pages.
Everything is seen through the ailing cat’s eyes.
Wagner is moving the narrative around the edges of detail.
The serious edge to some of the humor really sharpens the focus
Robinson has a very clean sense of execution.
It’s fun without totally pursuing its full potential.
Lee deftly handles the rather subtle intricacies of uncertainty and ennui.
A bit weaker than previous issues.
The slow and gradual romance...has been a lot of fun to watch.
Gillen manages a breathtaking amount of nuance.
Schultz clearly has a long-range plan for the pacing of the series.
There’s the kernel of a sharp idea here.
The reader is launched straight into a various bits and fragments of story.
Bennett is really setting the stage for something massive.
Young is closing-out the equation in the final issue.
Duggan delivers a witty, admirable thug to the page with charm
So much of what Tynion is doing is so very, very simple.