The horror isn’t actually disgusting or disturbing...it just looks cool.
All in DC Comics
The horror isn’t actually disgusting or disturbing...it just looks cool.
Superman’s day takes a turn.
As the heroes come up with a plan to deal with Deathstroke’s Dark Army, the Justice League confronts Pariah.
The relationship between Nightwing and Batgirl really feels like the emotional center.
Impressive and thoroughly immersive work of the art team.
Ridley’s journey is a fun one.
Cloonan and Conrad exquisitely sculpt the drama.
Cloonan and Conrad cleverly work an extended ensemble of characters.
Superman returns to Earth with Warworld, and Lex Luthor has a plan and in the back-up the Superman family in the Fortress of Solitude deal with an unexpected event.
Wilson is increasing the pressure on Poison Ivy.
Superman and the Revolutionaries engage Bendix in the final battle for Gamorra.
It all feels very fluid.
Taylor’s sense of humor gets a little weird in places.
Tamaki has a lot of fun with the dichotomies of Two-Face.
Not all of the writing is brilliant, but it would be a very exhausting 100 pages if it WAS.
Scott begins the story in conflict and action.
As the heroes regroup and the Legion of Doom faces its own trial, Pariah’s plan inches closer to fruition.
Howard is given only the smallest stretch of pages in which to envision Diana in her own kind of heaven.
Embraces an active relationship between character and audience.
A delicately-woven script.