Barberi’s art continues to look like a suitably exaggerated sort of an action horror thing.
All in Action
Barberi’s art continues to look like a suitably exaggerated sort of an action horror thing.
Seeley has a really interesting world that he’s been working with.
Pepose does a remarkably good job of framing the work.
The story ends up having a great deal of energy.
Remember and Warren have a very solid piece of dram.
It’s not brilliant or anything like that.
Grønbekk shuffles around a lot of really fun and enjoyable sword and sorcery fantasy elements.
Bengal’s sharp sense of atmosphere gives the entire issue quite a bit of gravity.
Johns and company deliver a really impressive second issue.
Remender and Posehn ride a very careful line between over-the-top drama and earthbound family stuff.
It’s dark and sinister stuff.
McManus’ execution of the art in that second story is pretty impressive.
Thompson has a knack for catching a series of scenes and putting them together.
Arcudi has been fusing several different things together with this particular narrative.
That’s remarkably sharp prose.
Hama brings a very real sense of tactical combat to the book.
Ganucheau has a lot of fun with the beloved characters.
Carlos has a solid sense of execution with respect to light and shadow.
The full reveal of Loughridge’s premise IS kind of a disappointment.
Gillen explores a fascinating and provocative angle on the god-as-artist concept.