There’s a lot of exposition delivered in the text.
All in Horror
Creepshow #1 // Review
Zdarski moves a remarkably tight narrative through only a few pages.
Plastic: Death and Dolls #4 // Review
Wagner is moving the narrative around the edges of detail.
Universal Monsters: Frankenstein #2 // Review
Walsh deftly extends the study of the intellectual side.
Rat City #6 // Review
Schultz clearly has a long-range plan for the pacing of the series.
Ain’t No Grave #5 // Review
Young is closing-out the equation in the final issue.
Department of Truth #25 // Review
So much of what Tynion is doing is so very, very simple.
Misery #4 // Review
A pretty cool idea that McFarlane totally fails to live-up to.
The Scorched #33 // Review
Layman tells a very concise story.
Spawn #356 // Review
Lyra is a hell of a lot more interesting than the title character of Spawn.
The Internals #5 // Review
A weirdly compelling kind of stiffness.
Vampirella--Dark Reflections #4 // Review
It's all moving with the right kind of momentum.
Universal Monsters Frankenstein #1 // Review
A REALLY promising beginning.
Plastic: Death & Dolls #3 // Review
Wagner is doing a sharp job.
Precious Metal #3 // Review
Bertram’s art builds a richly textured background.
Red Sonja--Empire of the Damned #5 // Review
Niles wraps-up the tale with a very brisk set of action-based pages.
Vampirella #671 // Review
There really IS a kind of weighty reality that Priest is bringing to the page.
The Deviant #7 // Review
Tynion is working with tropes that have been used pretty extensively before.
Nights #9 // Review
Kennedy clearly has a deep respect for his artist’s ability.
Spawn #355 // Review
McConville weaves a perfectly good chapter.