Forest and Orson Innman find a legendary director in a rest home to ask him about his last film and discover more than they bargained for.
All in Horror
Forest and Orson Innman find a legendary director in a rest home to ask him about his last film and discover more than they bargained for.
Lam discovers her father’s secret.
Jo learns the truth behind what she saw at the party.
Cain does a brilliant job of opening the world of Man-Eaters.
Young has been careful enough to keep the romance developing slowly.
Mixes the nightmare collage imagery with strangely compelling drama.
Val, Em, and Bailey learn the truth about their situation.
Be careful of the frogs.
Traditional ghost stories fuse quite nicely with the superhero genre.
Joey goes to meet her new boyfriend Astor’s family and gets more than she bargained for.
There's a really sharp fusion between script and panel.
It's gentle, intimate, and moody.
Tynion definitely has put a hell of a lot of thought into the lore.
The girls have their final battle with the Landlady.
It's a bit of a mess.
Cain’s satire sinks into a more profound horror.
Val, Em, and Bailey find a safe haven.
Breathtakingly nuanced.
Gary Frank has a beautiful sense of subtlety.
Tynion isn’t really giving the artist a whole lot to work with.