Buffy the Vampire Slayer #9 is a particularly strong episode in Boom! Studio’s hit-or-miss reboot of the Buffyverse.
All in Horror
Buffy the Vampire Slayer #9 is a particularly strong episode in Boom! Studio’s hit-or-miss reboot of the Buffyverse.
Locke and Key: Dog Days is like coming home for fans of the original comic, even if the visit is all too brief.
Ghost Rider #2 is a mixed bag, with baffling character motivations and uneven art.
The final issue of the first series lacks some of the delicious creepiness that opened the story.
Basketful of Heads #1 is an auspicious launch of DC’s new Hill House label.
The Sandman Universe Presents Hellblazer #1 is a strong reintroduction to John Constantine.
If you’re looking for something spooky this Halloween, make sure to pick this up.
It's a really delicate balance that MacDonald and Farrell execute in the lead story.
If you want a splash of horror with your heroes, look no further.
Angel #6 is the strongest issue of the title to date, focusing on the supporting cast rather than the title character.
This chapter seems to be setting up the next leg of Ewing’s epic
Something is Killing the Children avoids the second issue slump with this terrific issue.
Absolute Carnage #4 is dumb action, and thank God for it.
A must-read. If you’re a horror fan, it’s a must-read. If you’re neither of those things, you should probably still give it a try
Dani gracefully scratches out the decaying detail on a world hanging on to life long after it has passed into the past.
Hellmouth #1 is a compelling enough continuation of the story that’s been ongoing in the Buffy the Vampire Slayer series.
An interesting story of an aboriginal magic cast in the modern world.
Ghost Rider #1 is a compelling first issue, showing a great deal of promise.
An interesting issue with sharply witty dialogue.
All the components for a good comic are here--a good writer with a handle on the characters, a solid art team that particularly works well together. Why, then, does Angel #5 feel (pardon the pun) lifeless?