Lee is working with the fundamentals of action storytelling.
All in Dynamite Comics
Lee is working with the fundamentals of action storytelling.
Kalan's Hades has no business being anywhere near as appealing as it is.
A fun opening to what is hopefully going to be a really well-articulated horror drama.
Hoyt plays elegantly with ambiguity and strategy.
Manco’s art draws a great deal of inspiration from Frazetta.
A very well-executed visual package.
A strangely vivacious and flirtatious necromancer? It’s such a cool idea.
Qualano puts just enough on the page to tell the story.
Just over half of the issue is an interrogation in Purgatory.
Grønbekk opens the series with a well-woven first issue.
Avallone has more than a few genuinely funny moments here and there.
Brown isn't quite pacing things right.
Weisman cleanly opens a primal and well-defined conflict of simple elements.
Jurgens has constructed a solid ending.
Andolfo and Blengino move the action around with a deft hand.
Weisman keeps the action moving.
Cox puts Kong firmly in the background.
A sharply clever job of articulating bewildering complexity.
Deibert actually manages to articulate every character.
There’s just enough tone and mood to the visuals to keep the pages turning.