Rowell’s pacing is just so...indie.
All tagged Takeshi Miyazawa
Rowell’s pacing is just so...indie.
Rowell fully embraces the more dramatic end of the fourth wall.
#8 is a She-Hulk without She-Hulk.
The opening 13 pages shoot by very quickly.
Kim is telling a pleasantly off-center story.
Delicate detail with some fascinating angles.
Emily Kim juggles everything with finesse.
It’s a sharp writing debut for Emily Kim.
As far as in-between arc stories go, Captain Marvel #31 was a great one; It got me hyped up The Last of the Marvels without feeling like this story was filler.
A dizzyingly interesting drama.
Maurene Goo gets a bit thick with the backstory.
Goo and Miyazawa manage a very well-orchestrated series of moments.
Miyazawa has a brilliant grasp of subtlety and nuance.
Goo's first outing with Moon is ridiculously fun.
The worlds in Gwen’s life collide in a fun installment.
Writer Seanan McGuire carves out a little more uneasy narrative terrain for the young superhero.
McGuire’s broader plans for Gwen get pulled a bit more into focus in another thoroughly satisfying issue.
McGuire and company maintain a remarkably balanced work/life/superhero balance in the issue.
McGuire's writing is particularly sharp in this debut issue of the new series.
McGuire wisely chooses to focus on the fun social angle of a couple of web-slingers hanging out together.