There’s a lot of exposition delivered in the text.
All in Dynamite Comics
There’s a lot of exposition delivered in the text.
Lee deftly handles the rather subtle intricacies of uncertainty and ennui.
It’s sharp stuff that feels relatively well-balanced.
A “Days of Future Past” thing with Johnny Quest.
Lieberman has a solid grasp of the basic action of the story.
It's all moving with the right kind of momentum.
A solid departure from the central appeal of Sweetie Candy.
Shalvey is working with quite a few of the basic fundamentals of the series.
There really IS a kind of weighty reality that Priest is bringing to the page.
David Pepose takes a pulpy space action story and gives it the edge of more than a little bit of danger and menace.
Weisman is working with quite a few things.
Gündüz frames some really striking imagery.
Giovanni moves around the action on the page with a precise hand.
Shalvey explores a little bit of the backstory behind Third Earth.
The dialogue is quick and crisp.
The horror is dense. The atmosphere is immersive.
An interesting exploration into a character who never really got the center of the screen.
Time travel stories are always a bit awkward.
Mhan’s artwork is highly kinetic.
Parker is dealing with pieces that aren't necessarily all that original.