It's all moving with the right kind of momentum.
All in Dynamite Comics
It's all moving with the right kind of momentum.
A solid departure from the central appeal of Sweetie Candy.
Shalvey is working with quite a few of the basic fundamentals of the series.
There really IS a kind of weighty reality that Priest is bringing to the page.
David Pepose takes a pulpy space action story and gives it the edge of more than a little bit of danger and menace.
Weisman is working with quite a few things.
Gündüz frames some really striking imagery.
Giovanni moves around the action on the page with a precise hand.
Shalvey explores a little bit of the backstory behind Third Earth.
The dialogue is quick and crisp.
The horror is dense. The atmosphere is immersive.
An interesting exploration into a character who never really got the center of the screen.
Time travel stories are always a bit awkward.
Mhan’s artwork is highly kinetic.
Parker is dealing with pieces that aren't necessarily all that original.
Continues to build on elements that have been established in a rather satisfying series thus far.
Avallone throws a bit of a fight party for all of the big monsters from classic cinema history.
Clark and DeSouza set up a perfectly cool crime procedural.
Sutter rushes through a great many encounters in a single issue.
Skull Island. Seriously, call it Skull Island: The Great War.