Overall, Lois Lane #7 is a strong entry in a strong series.
All in DC Comics
Overall, Lois Lane #7 is a strong entry in a strong series.
Even a lesser issue of Dial H for HERO, as #10 is, is still delightfully ridiculous.
The Low, Low Woods #1 is another moody debut from DC’s Hill House imprint.
Suicide Squad #1 is an explosive debut from Tom Taylor and Bruno Redondo.
The second issue of John Constantine: Hellblazer is a success.
Batman: Last Knight on Earth ends on a confusing note.
Basketful of Heads #3 is another solid entry in what is turning out to be the best of DC’s Hill House horror comics line.
Harleen #3 is a fascinating finale to an excellent character study.
Batman/Superman #5 feels like an editorially-mandated part of the endless crossover machine.
Superman Smashes the Klan #2 is a beautifully rendered, complex comic that takes a simple idea--racism is bad--and explores it from many different angles, with care and nuance.
Legion of Super-Heroes #2 is ephemeral, like cotton candy.
Year of the Villain: Hell Arisen #1 is completely superfluous.
With issue #6, Superman’s Pal Jimmy Olsen hits its midway point, and continues its streak as the funniest title DC is publishing right now.
Wonder Woman: Dead Earth #1 understands Diana’s mission of love.
He-Man and the Masters of the Multiverse #2 is ridiculous.
There’s not a whole lot going on here, but Jones manages to filter-in a couple of intriguing, little mysteries that add to the action.
Wonder Twins #10 is a fun comic, and a solid entry in the series.
Gotham City Monsters #4 lacks the spark of life.
Far Sector #2 continues to shine.
The Dark Knight Returns: The Golden Child #1 makes absolutely zero sense, but the art is so good that it’s a must-read anyway.