Kim works with standard sci-fi tropes.
All tagged Ian Herring
Kim works with standard sci-fi tropes.
Kim is plunging Cindy into her own Spider-Verse.
The opening 13 pages shoot by very quickly.
Kim is telling a pleasantly off-center story.
Delicate detail with some fascinating angles.
It’s a sharp writing debut for Emily Kim.
As far as in-between arc stories go, Captain Marvel #31 was a great one; It got me hyped up The Last of the Marvels without feeling like this story was filler.
A dizzyingly interesting drama.
Maurene Goo gets a bit thick with the backstory.
The entire run of The Magnificent Ms. Marvel was a wonderful time filled with laughs, tears, and everything in between. It’s sad to see it end, but the creative team did a fantastic job of wrapping everything up in a way that felt natural and conclusive for this period of Kamala’s life.
In this penultimate issue, Ms. Marvel faces old enemies, uneasy alliances, and betrayal from a friend.
The Magnificent Ms. Marvel #16 continues to explore how Kamala's Law has affected Ms. Marvel and friends' abilities to carry out their superhero duties.
After sustaining severe injuries in an attack during a Champions mission, Kamala is finally returning to school and facing the new realities of Kamala’s Law head-on. But as the face of the movement against her secret identity, Kamala is going to have to tread carefully.
After a months-long hiatus, Kamala is back in The Magnificent Ms. Marvel #14, an intense, emotional story that takes place in the aftermath of Outlawed #1.
Ms. Marvel #13 kicks off a brand new story arc, and it starts strong as writer Saladin Ahmed introduces a new character (co-created with Sara Alfageeh). So Kamala's circle of superhero friends expands.
Kamala’s life has been quickly unraveling, and if she can’t figure something out soon, it may be the end of life as she knows it…
In The Magnificent Ms. Marvel #10 — written by Saladin Ahmed with art by Minkyu Jung, inks by Juan Vlasco, colors by Ian Herring, and letters by VC's Joe Caramagna — Kamala's hectic life spirals more out of control despite her best attempts to stay on top of everything.
All superheroes have problems- usually of the supervillain variety, but occasionally it’s alien invasions or time travel shenanigans. Then there are the problems that you can’t fight with your superpowers, the problems that you can’t call in the Avengers for.
McGuire’s broader plans for Gwen get pulled a bit more into focus in another thoroughly satisfying issue.
If the theme of Kamala's journey thus far has been growth and development, then this issue shows the often-overlooked consequences of these phenomenons. Saladin Ahmed writes about topics like corporate expansion and workers rights through the lens of a superhero/supervillain power struggle. Artists Joey Vazquez and Alex Arizmendi, colorist Ian Herring, and letterer VC's Joe Caramagna lend their talents to this very topical story.