The art team does a good job of harnessing the horror.
All in Drama
The art team does a good job of harnessing the horror.
It's a fun, little action sequence.
Kubert’s adventure shoots quite swiftly along.
Remender hits the page with one of the more brutal entries into the series.
Young walks the fine line between comedy and drama.
Kaplan maintains the overall tone.
Todd McFarlane tries his best to tell a story.
Wiseman is juggling a lot.
Casey mixes a few things into the narrative that make it feel considerably more sophisticated than Rambo.
Fleecs fills the issue with a very heartfelt kind of precision.
It’s not that difficult to push weight-loss narratives in the right direction and watch them go.
Craig is working with a fusion of various different elements.
Mele does a solid job of delivering the action to the page.
Johns’ script works on a few different levels.
Cafiero is developing a lot of ideas.
Shalvey constructs the script to this particular issue with a clever rhythm.
There’s a lot of backstory that’s delivered.
Thompson has taken the basic legend of Wonder Woman and moved it into a spectacularly mystic darkness.
Walsh cleverly constructs the concerns of the heart.
Seeley balances the story pretty tightly between action and investigation.