Fleecs cranks-up the complexity.
All in Drama
Convert #1 // Review
A simple tale of survival.
Drawing Blood #5 // Review
Trying to balance things a bit too much for its own good.
Grommets #4 // Reviews
Remender and Posehn do a really good job of keeping it all grounded in the reality of 1985.
The Last Mermaid #6 // Review
GORGEOUS visuals in places.
Red Sonja #13 // Review
Grønbekk has an inventive flair for traditional sword-and-sorcery.
Remote Space #3 // Review
Rathburn lowers-in a hell of a lot of background.
The Sacrificers #11 // Review
Remender is sharp to add a few moments of truly endearing emotional warmth.
Sweetie Candy Vigilante #4 // Review
A solid departure from the central appeal of Sweetie Candy.
Universal Monsters Frankenstein #1 // Review
A REALLY promising beginning.
Black Cloak #7 // Review
McClaren’s art is GORGEOUS.
Destro #3 // Review
Watters’ wit accompanies a lot of interesting bits of narration.
Local Man #13 // Review
Seeley and Fleecs deliver a lot of tension.
Plastic: Death & Dolls #3 // Review
Wagner is doing a sharp job.
Rat City #5 // Review
Rat City has been an interesting experiment.
Redcoat #5 // Review
Theoretically Redcoat could turn into something.
Standstill #1 // Review
It’s a fun opener to a promising series.
Wonder Woman #12 // Review
It’s one, long interrogation.
The Domain #2 // Review
Zdarsky isn’t working with anything that is terribly new.
Geiger #5 // Review
Johns lays-out a very clear physical conflict between three men and a two-headed dog.