Hama has been juggling big ensembles and thick plots for decades now.
All in Action
Hama has been juggling big ensembles and thick plots for decades now.
Giovanni moves around the action on the page with a precise hand.
Oh christ...the dialogue is awful.
Shalvey explores a little bit of the backstory behind Third Earth.
Cafaro has a solid sense of mood and tone.
King does a brilliant job of characterization with a very diverse group of heroes.
Williams crams a lot of story into just a few pages.
Manages to remain remarkably character-centric in spite of all of the sci-fi tropes that are being explored.
Stott’s art grabs hold of the emotional.
Frank has developed a really unique visual signature for the character.
A really beautiful kind of pacifism works in this particular story.
Motion lines. They’re abusing motion lines.
Krajewski and Muro develop a really social sort of an opening narrative.
The dialogue is quick and crisp.
MacKay shows that he has a really solid grasp of what makes the X-Men appealing.
The second year of the series begins with a solidly entertaining issue.
The clever bit is Thompson’s ability to modulate the aggression of the action.
The horror is dense. The atmosphere is immersive.