The first two issues of Lois Lane were quite eventful, introducing characters and locations and establishing the world of intrigue that the title character navigates. The third issue takes a breather to focus entirely on the title’s leading players and their relationships and personalities.

After the murder of one of Lois’ sources, Superman makes a bold entrance. This sends a message that Lois is protected, while adding fuel to the rumors that Lois Lane is cheating with him. Meanwhile, Renee Montoya as the Question comes face to face (pun intended) with her mentor, Vic “Charlie” Sage, the original Question--who she believed to be dead.

Most of the issue is devoted to Lois and Superman discussing the aftermath of his appearance in Chicago, and writer Greg Rucka does excellent work here. Rucka really establishes Lois and Clark as two genuine, very flawed people who love each other and can discuss their mistakes. Rucka’s Lois and Clark are the perfect married couple, precisely as they should be. Seeing Rucka revisit Charlie and Renee so many years after he brought them together in the pages of 52 is also a treat.

Mike Perkins’ art is stunning. Perkins’ gritty naturalism is perfect for the street-level adventures of super-journalist Lois Lane. But in this chapter he’s given the chance to cut loose and do some other things as well. When Superman takes Lois flying over the Chicago skyline, Perkins, with the help of colorist Paul Mounts, evokes Richard Donner’s Superman films. When Renee and Charlie have their violent encounter at the Drake Hotel, Perkins’ action is kinetic and thrilling. Letterer Simon Bowland keeps the story flowing and the dialogue clear.

Rucka and Perkins do great work making Lois and Clark, the first couple in superhero comics, feel somehow both iconic and real. Lois Lane #3 is a stellar book and is highly recommended.

Grade: A+